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<title><![CDATA[海蟹哲]]></title>
<description><![CDATA[海蛰哲的水底世界]]></description>
<link>http://851459409.qzone.qq.com</link>
<lastBuildDate>Wed, 25 Nov 2009 18:24:55 GMT</lastBuildDate>
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<copyright>Copyright (C), 2005-2008, Tencent Tech. Co., Ltd.</copyright>
<pubDate>Wed, 11 Nov 2009 09:03:51 GMT</pubDate>

<item>
<title><![CDATA[[转]2009の经典语言]]></title>
<link>http://851459409.qzone.qq.com/blog/1257930231</link>
<description><![CDATA[1. 你让我滚，我滚了。你让我回来，对不起，滚远了<br>2. 流氓不可怕，就怕流氓有文化……<br>3. 走牛X的路，让傻X去说吧！<br>4. 开车无难事，只怕有新人！<br>6. 矿难在检讨中继续，楼价在控制中上升！<br>7. XP不发威，你当我是DOS啊！<br>8. 英雄不问出路，流氓不看岁数！<br>9. 好好活着，因为我们会死很久!!!<br>10. 人又不聪明，还学人家秃顶！！<br>11. 没什么事不要找我，有事更不用找我<br>12. 宁和明白人打一架，不跟sb说句话<br>13. 再牛b的肖邦，也弹不出老子的悲伤！<br>14. 只要锄头舞的好，那有墙角挖不倒？<br>15. 连广告也信，读书读傻了吧！<br>16. 要在江湖混，最好是光棍！！<br>17. 不要和我比懒，我懒得和你比。<br>19. 早上长睡不起；晚上视睡如归!<br>21. 女为悦己者容男为悦己者穷！<br>22. 秃驴，敢跟贫道抢师太?<br>23. 犯贱是普遍真理，你我只是其中之一<br>24. 唯女人与英语难过也，唯老婆与工作难找也!<br>25. 赚别人的钱，让贫穷见鬼去吧。<br>26. 就算是believe　中间也藏了一个lie<br>27. 钱不是问题，问题是没钱！<br>30. 怀才就像怀孕，时间久了才能让人看出来。<br>31. 今天心情不好.我只有四句话想说.包括这句和前面的两句.我的话说完了<br>32. 人不能在一棵树上吊死，要在附近几棵树上多死几次试试<br>33. 走别人的路,让别人走投无路<br>34. 思想有多远，你就给我滚多远<br>35. 驴是的念来过倒<br>36. 上Google上百度一下。<br>37. 你以为我会眼睁睁地看着你去送死？我会闭上眼睛的。<br>38. 请你以后不要在我面前说英文了，OK？<br>39. 好久没有人把牛皮吹的这么清新脱俗了！<br>40. 一觉醒来，天都黑了。<br>41. 钱可以解决的问题都不是问题。<br>42. 不吃饱哪有力气减肥啊？<br>43. 问君能有几多愁，恰似一群太监上青楼<br>44. 钞票不是万能的，有时还需要信用卡。<br>45. 我允许你走进我的世界，但决不允许你在我的世界里走来走去。<br>46. 人怕出名猪怕壮，男怕没钱女怕胖。<br>47. 珍惜生活——上帝还让你活着，就肯定有他的安排。<br>48. 工作的最高境界就是看着别人上班，领着别人的工资。 <!--v:3.2--> ]]></description>
<category><![CDATA[个人日记]]></category>
<author><![CDATA[851459409@qq.com(海蟹哲)]]></author>
<comments>http://851459409.qzone.qq.com/blog/1257930231#comment</comments>
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<pubDate>Wed, 11 Nov 2009 09:03:51 GMT</pubDate>
<guid>http://851459409.qzone.qq.com/blog/1257930231</guid>
</item>

<item>
<title><![CDATA[宁愿重伤也不愿悲伤]]></title>
<link>http://851459409.qzone.qq.com/blog/1255062289</link>
<description><![CDATA[　　宁愿重伤也不愿悲伤。<br><br>　　我没有办法停止这种挣扎。记忆里第一次如此无法成眠的夜晚。我几乎试尽了所有的方法。<br><br>　　用额头不停不停地撞击墙壁。在手臂上不知轻重地划着刀。看着血液缓慢涌出，犹如观赏悲鸣声破土而出的慢镜。而在这失去了锋利的液体里，没有任何伤感的味道。<br><br>　　铁锈味弥漫进鼻腔。<br><br>　　我还在不停不停的挣扎。尽管伤口染红了白色的连帽衫，尽管裂开的痛使我睡意全无，尽管已是天将亮的时刻。<br><br>　　拿出手机编辑着毫无中心思想的短信，收信人一栏不知该选哪个名字，于是只好再把内容一点一点删掉。几分钟后，同样的重复。一遍一遍。<br><br>　　身体里的某个角落痛到我难以呼吸。像是被一双无形的大手死紧死紧地抓住，在不断握紧的过程中滴出血来。<br><br>　　我想对DW说，如果你能帮我走出来，我愿意把我所有的故事都告诉你。<br><br>　　手臂上的伤口依然不停地渗出血来。我开始打开电脑，戴上耳机开到最大音量听着五月天。我开始一杯接一杯地喝着咖啡，尽管我已经不想再睡。我开始打开Blog，记叙这夜血腥的真实。<br><br>　　我拿起DW借我的素描教学书。翻开几页，再合上。翻开几页，再合上。<br><br>　　静坐在书桌前等天空亮起来。等着谁醒了，我可以和他说说话。但手机里存了的几个号码，没有一个能够去让我打扰。或者我根本就不想打扰。<br><br>　　手臂上的红色线条，撕裂的轻微的痛。我发现自己总是无法保持没有伤痕的自己。简直像极了自虐的恶习，习惯当疤痕淡去的时候留下另外一道。一次比一次深。额头也总是淤青，所以留着及眉的刘海。<br><br>　　只是觉得，这样才能让自己好过一些。不至于那么痛苦，那么挣扎。<br><br>　　——“宁愿重伤也不愿悲伤。让伤痕变成了我的徽章。刺在我心脏永远不忘。”<br><br>　　但是曾经使用过的一切招数在这个夜晚全部失灵。我也不知道是谁给我开了个什么玩笑，我的眼睛很痛，脑袋很昏很重，但我不去睡，我无法入睡。<br><br>　　曾经听人介绍过C.K沉珂。今天拿着刀指着自己的时候，突然开始思考沉珂。当她拿起刀，心里是埋藏了怎样的过去，隐秘了怎样的情绪，才能一刀一刀刺得那么麻利。刀刀见骨、血肉模糊。<br><br>　　我试着在手臂上刻着字，思量是否太矫情，于是作罢。<br><br>　　可是——<br><br>　　能不能停下来。<br><br>　　这样无法成眠的夜晚。辗转反侧的夜晚。鲜血淋漓的夜晚。<br><br>　　五月天的歌里唱。满怀忧伤却流不出泪，极度的疲惫却不能入睡。<br><br>　　——我、不是、真正的、快乐。<br><br>　　以为有人陪就幸福了。以为朋友在就不孤单了。以为被人在乎就满足了。<br><br>　　于是我笑着，笑着。笑完了，嘴角依旧是上扬。因为我已经分不清我笑的时候，究竟是开心还是难过了。<br><br>　　后来我发现。在我认为的这段快乐里。依旧在担忧、依旧在挣扎、依旧在流血。<br><br>　　我从不是忧伤的少年。可是终究在时间的魔法之下体会了无数次的失败。我舔舐自己的伤口，咽下自己的鲜血。<br><br>　　不想输。所以在挣扎。不想就这样倒下。所以我一直一直在挣扎。<br><br>　　一直一直，停不下来的挣扎。 <br><br> <!--v:3.2--> ]]></description>
<category><![CDATA[个人日志]]></category>
<author><![CDATA[851459409@qq.com(海蟹哲)]]></author>
<comments>http://851459409.qzone.qq.com/blog/1255062289#comment</comments>
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<pubDate>Fri, 09 Oct 2009 04:24:49 GMT</pubDate>
<guid>http://851459409.qzone.qq.com/blog/1255062289</guid>
</item>

<item>
<title><![CDATA[宁愿重伤也不愿悲伤]]></title>
<link>http://851459409.qzone.qq.com/blog/1255062284</link>
<description><![CDATA[　　宁愿重伤也不愿悲伤。<br><br>　　我没有办法停止这种挣扎。记忆里第一次如此无法成眠的夜晚。我几乎试尽了所有的方法。<br><br>　　用额头不停不停地撞击墙壁。在手臂上不知轻重地划着刀。看着血液缓慢涌出，犹如观赏悲鸣声破土而出的慢镜。而在这失去了锋利的液体里，没有任何伤感的味道。<br><br>　　铁锈味弥漫进鼻腔。<br><br>　　我还在不停不停的挣扎。尽管伤口染红了白色的连帽衫，尽管裂开的痛使我睡意全无，尽管已是天将亮的时刻。<br><br>　　拿出手机编辑着毫无中心思想的短信，收信人一栏不知该选哪个名字，于是只好再把内容一点一点删掉。几分钟后，同样的重复。一遍一遍。<br><br>　　身体里的某个角落痛到我难以呼吸。像是被一双无形的大手死紧死紧地抓住，在不断握紧的过程中滴出血来。<br><br>　　我想对DW说，如果你能帮我走出来，我愿意把我所有的故事都告诉你。<br><br>　　手臂上的伤口依然不停地渗出血来。我开始打开电脑，戴上耳机开到最大音量听着五月天。我开始一杯接一杯地喝着咖啡，尽管我已经不想再睡。我开始打开Blog，记叙这夜血腥的真实。<br><br>　　我拿起DW借我的素描教学书。翻开几页，再合上。翻开几页，再合上。<br><br>　　静坐在书桌前等天空亮起来。等着谁醒了，我可以和他说说话。但手机里存了的几个号码，没有一个能够去让我打扰。或者我根本就不想打扰。<br><br>　　手臂上的红色线条，撕裂的轻微的痛。我发现自己总是无法保持没有伤痕的自己。简直像极了自虐的恶习，习惯当疤痕淡去的时候留下另外一道。一次比一次深。额头也总是淤青，所以留着及眉的刘海。<br><br>　　只是觉得，这样才能让自己好过一些。不至于那么痛苦，那么挣扎。<br><br>　　——“宁愿重伤也不愿悲伤。让伤痕变成了我的徽章。刺在我心脏永远不忘。”<br><br>　　但是曾经使用过的一切招数在这个夜晚全部失灵。我也不知道是谁给我开了个什么玩笑，我的眼睛很痛，脑袋很昏很重，但我不去睡，我无法入睡。<br><br>　　曾经听人介绍过C.K沉珂。今天拿着刀指着自己的时候，突然开始思考沉珂。当她拿起刀，心里是埋藏了怎样的过去，隐秘了怎样的情绪，才能一刀一刀刺得那么麻利。刀刀见骨、血肉模糊。<br><br>　　我试着在手臂上刻着字，思量是否太矫情，于是作罢。<br><br>　　可是——<br><br>　　能不能停下来。<br><br>　　这样无法成眠的夜晚。辗转反侧的夜晚。鲜血淋漓的夜晚。<br><br>　　五月天的歌里唱。满怀忧伤却流不出泪，极度的疲惫却不能入睡。<br><br>　　——我、不是、真正的、快乐。<br><br>　　以为有人陪就幸福了。以为朋友在就不孤单了。以为被人在乎就满足了。<br><br>　　于是我笑着，笑着。笑完了，嘴角依旧是上扬。因为我已经分不清我笑的时候，究竟是开心还是难过了。<br><br>　　后来我发现。在我认为的这段快乐里。依旧在担忧、依旧在挣扎、依旧在流血。<br><br>　　我从不是忧伤的少年。可是终究在时间的魔法之下体会了无数次的失败。我舔舐自己的伤口，咽下自己的鲜血。<br><br>　　不想输。所以在挣扎。不想就这样倒下。所以我一直一直在挣扎。<br><br>　　一直一直，停不下来的挣扎。 <br><br> <!--v:3.2--> ]]></description>
<category><![CDATA[个人日志]]></category>
<author><![CDATA[851459409@qq.com(海蟹哲)]]></author>
<comments>http://851459409.qzone.qq.com/blog/1255062284#comment</comments>
<qz:effect>134217728</qz:effect>
<pubDate>Fri, 09 Oct 2009 04:24:44 GMT</pubDate>
<guid>http://851459409.qzone.qq.com/blog/1255062284</guid>
</item>

<item>
<title><![CDATA[[转]用50种语言说我爱你]]></title>
<link>http://851459409.qzone.qq.com/blog/1255015585</link>
<description><![CDATA[汉语：我爱你<br>英语：爱老虎油 <br>日本：阿姨兮带路 <br>朝鲜：3郎还有 <br>马来语：酒呀新塔木 <br>法语：也带吗 <br>德语：一西里拔弟西<br>希腊语：萨哈泼 <br>尤太语：啊你偶和夫偶他系<br>匈牙利：塞来特可来 <br>爱沙尼亚：米那阿马斯叹赛 <br>芬兰：名那啦卡司谈洗奴娃<br>比利时：一客也有狼鸡 <br>意大利语：提啊么 <br>拉托维亚：一司特喂米卢<br>立陶宛：踏付米卢 <br>马其顿：音红博客 <br>波兰语：烤蛤蟆去<br>葡萄语：哎无啊木腿 <br>罗马尼亚：有背4克<br>荷兰：啊来后范九<br>捷克：米卢急特<br>丹麦：接个爱死替个<br>亚美尼亚：也可思西容颜<br>保甲尼亚：阿斯得袄比乔木<br>孟加拉：啊米动吗改挖哈楼瓦寺<br>缅甸：起排得 <br>柬埔寨：波斯狼酒<br>菲律宾：马哈吉他<br>北印度语：慢色爹革了地后<br>印度尼西亚：萨家卡寺和萨得瑞 <br>马来语：酒也新塔木 <br>蒙古语：比掐木谈还日太<br>波斯语：土司特大轮 <br>阿拉伯语：（女生对男生）不黑不开 （男生对女生）无黑不可<br>阿亚泰米语：踏觅2男有耐克卡后理容<br>泰国：前软昆 <br>乌尔都语：（女生对男生）没吞黑婆泪卡他昏（男生对女生）没吞黑婆类卡他混 <br>越南：（女生对男生）爱也有阿禾 （男生对女生）爱也有爱恩<br>新西兰毛里语：7呀后阿海 <br>爱斯基摩：那个立即为鸡特 <br>冰岛：爱个爱二四卡题 <br>阿尔巴尼亚：得蛙问寻 <br>俄罗斯：鸭鸡不鸭留不留 <br>斯罗文尼亚：求比恩特 <br>西班牙：得阿摸 <br>瑞典：道理4卡体格<br>土耳其：腮内腮围有润 <br>乌克兰：家白4哈有。 <!--v:3.2--> ]]></description>
<category><![CDATA[个人日记]]></category>
<author><![CDATA[851459409@qq.com(海蟹哲)]]></author>
<comments>http://851459409.qzone.qq.com/blog/1255015585#comment</comments>
<qz:effect>134218248</qz:effect>
<pubDate>Thu, 08 Oct 2009 15:26:25 GMT</pubDate>
<guid>http://851459409.qzone.qq.com/blog/1255015585</guid>
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<item>
<title><![CDATA[from+now+on+]]></title>
<link>http://851459409.qzone.qq.com/blog/1254969353</link>
<description><![CDATA[start new life . haha<br>i will write down all that happen around us in qq<br>haha. <!--v:3.2--> ]]></description>
<category><![CDATA[个人日志]]></category>
<author><![CDATA[851459409@qq.com(海蟹哲)]]></author>
<comments>http://851459409.qzone.qq.com/blog/1254969353#comment</comments>
<qz:effect>142606848</qz:effect>
<pubDate>Thu, 08 Oct 2009 02:35:53 GMT</pubDate>
<guid>http://851459409.qzone.qq.com/blog/1254969353</guid>
</item>

<item>
<title><![CDATA[Passports: Great Early Buys from the British Council Collection]]></title>
<link>http://851459409.qzone.qq.com/blog/1239886918</link>
<description><![CDATA[Passports: Great Early Buys from the British Council Collection<br>The British Council Collection is to go on show in the newly restored 19th century ‘museums gallery’ in London's Whitechapel Gallery.<br>The first selection is made by artist Michael Craig-Martin who has chosen to focus on the Collection’s great strengths – buying from artists at early stages in their careers and showing works of art internationally. The exhibition provides the price paid for each and a ‘passport’ of where they have been shown across the world, providing a unique insight into the Collection’s international purpose.<br>The exhibition of British 20th and 21st century art includes Lucian Freud’s early masterpiece, <span style="font-style:italic"><wbr />Girl with Roses</span><wbr /> (1947 -8), a psychologically charged portrait of the artist’s first wife Kitty. The work has travelled to more than 25 countries and featured in over 80 exhibitions since it was acquired for ￡157 in 1948. A rare early carving in Cumberland alabaster by Henry Moore called <span style="font-style:italic"><wbr />Girl with Clasped Hands</span><wbr /> (1930) is shown next to Bridget Riley’s first major painting in colour, <span style="font-style:italic"><wbr />Cataract 3</span><wbr /> (1967). Peter Doig’s <span style="font-style:italic"><wbr />Hill Houses, 1990 - 91</span><wbr /> was bought by the British Council after he won the Whitechapel Artists’ Award in 1991 at the very beginning of his career. The exhibition also includes key works by David Hockney, Gilbert &amp; George, Paul Nash and Ben Nicholson, as well as later works by artists such as Damien Hirst, Chris Ofili and Sarah Lucas. <br>Following on throughout 2009, three further guest curators will present displays drawn from the Collection. The fifth and final exhibition will be the result of an international competition, which the British Council and the Whitechapel Gallery are organising to provide an opportunity for aspiring curators worldwide.<br>Iwona Blazwick OBE, Director, Whitechapel Gallery, said, ‘The British Council Collection is a jewel, and tells the story of British art over the last 100 years. The Whitechapel Gallery is delighted to be able to show these important works to the British public, many for the first time in the UK.’<br>The British Council Collection displays will be presented in the Whitechapel Gallery’s new dedicated gallery, a beautiful original Victorian exhibition space flooded with natural light through a glazed ceiling. It will provide unprecedented access to important public, private art collections and important artists’ holdings which are rarely seen. <br>The British Council Collection spans the 20th Century and includes works by early modern masters such Stanley Spencer, Wyndham Lewis, Paul Nash and Walter Sickert, Barbara Hepworth, Graham Sutherland, Henry Moore and Ben Nicholson. Post-war it includes, among others, artists from the <span style="font-style:italic"><wbr />School of London</span><wbr />; painters from St Ives and from the <span style="font-style:italic"><wbr />Kitchen Sink</span><wbr /> groups; exponents of the New Generation in the 1960s; conceptual and experimental artists such as Gilbert &amp; George and Richard Long; the New British Sculptors of the 1980s, including Tony Cragg, Richard Deacon, Antony Gormley and Anish Kapoor. Tracey Emin, Gary Hume, Damien Hirst, Mark Wallinger and Sarah Lucas are among the YBA generation represented and artists including Jeremy Deller, Douglas Gordon, Tomma Abts and Roger Hiorns bring the Collection up to the present day.<br><span style="font-weight:bold"><wbr /><span style="font-style:italic"><wbr />Passports: Great Early Buys from the British Council Collection</span><wbr /></span><wbr /><span style="font-weight:bold"><wbr /> runs from 5 April – 14 June 2009 and is supported by specialist insurer Hiscox.</span><wbr /><br><span style="font-weight:bold"><wbr />The series of exhibitions at Whitechapel Gallery forms part of the British Council's 75th Anniversary celebrations</span><wbr /> <!--v:3.2--> ]]></description>
<category><![CDATA[个人日记]]></category>
<author><![CDATA[851459409@qq.com(海蟹哲)]]></author>
<comments>http://851459409.qzone.qq.com/blog/1239886918#comment</comments>
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<pubDate>Thu, 16 Apr 2009 13:01:58 GMT</pubDate>
<guid>http://851459409.qzone.qq.com/blog/1239886918</guid>
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<title><![CDATA[How Much Is Too Much Space Junk]]></title>
<link>http://851459409.qzone.qq.com/blog/1238839937</link>
<description><![CDATA[<span style="font-weight:bold"><wbr />How Much Is Too Much Space Junk?</span><wbr /><br>By <span style="font-weight:bold"><wbr />Jeffrey Kluger</span><wbr /><br> <br> <br><br><wbr /><a href="http://b15.photo.store.qq.com/http_imgload.cgi?/rurl4_b=4c0fa21d6bae431fde13bd2607c3aa9e7ad39713790760f3d701fe4754d4712190b937ef2745b85d1326a86624043e8f9dca42d57c58f24c74512bf361524f22dbfb39b59fa3dd765329506b26034201826d39c9" target="_blank"><img style="border:0;" src="http://b15.photo.store.qq.com/http_imgload.cgi?/rurl4_b=4c0fa21d6bae431fde13bd2607c3aa9e7ad39713790760f3d701fe4754d4712190b937ef2745b85d1326a86624043e8f9dca42d57c58f24c74512bf361524f22dbfb39b59fa3dd765329506b26034201826d39c9" /></a><wbr /><br><br><br> <br>If you've ever walked through a swarm of gnats at a picnic, you have some idea of what it's like to navigate the mass of debris that circles our planet in low-Earth orbit. Space planners have long warned that the growing belt of cosmic junk would eventually lead to collisions, and on Tuesday it happened, when an American satellite and a defunct Russian satellite totaled each other 500 miles above Siberia. This has sparked new worries that space is simply becoming too dangerous a place to travel. Things aren't nearly that severe yet — but they're getting worse all the time. <br> <br>The human species has a prodigious power to litter, but the popular belief has been that the sheer enormousness of space prevents humans from doing too much damage. That's true enough — or at least it would be if we traveled throughout the entirety of the cosmos. But the fact is, the vast majority of our space exploration amounts to little more than wading offshore. The shuttle orbits at about 220 miles; the International Space Station stays at 270 miles. Our highest-flying satellites hang in space at about 22,000 miles — which sounds like a lot until you realize that still gets you only one-tenth of the way to the moon.<br> <br>Like popular commuter routes, orbital corridors have been growing increasingly crowded since the 1950s. Every time we put even a small satellite into orbit, after all, much more than just the satellite comes along for the ride. There are spent booster stages, discarded adapter rings, bolts and panels and bits of insulation and even chips of paint being shed in the process. <br> <br>The two ships that just collided are sources of a whole lot of potential new junk. The American craft — one of 65 communications satellites in an orbital flock known as Iridium — weighed 1,235 lb. The Russian craft, a now defunct satellite launched in 1993, weighed a ton.<br> <br>&quot;I think we will almost certainly see hundreds if not thousands of pieces of tracked debris,&quot; says Mark Matney, an orbital-debris scientist at NASA's Johnson Space Center. &quot;It all depends on how efficient the impact was. Was it a glancing blow or a full body hit?&quot;<br> <br>A consortium of government organizations including NASA, NORAD and even the FCC keeps track of all the planet's high-flying rubbish, and so far, its running count is flat-out scary. There are currently at least 17,000 objects measuring 4 in. or greater circling the Earth — and in some ways, that's the good news. The government estimates that there are 200,000 objects in the 1-in.-to-3-in. range and tens of millions smaller than an inch.<br> <br>And if you think those tiny pieces of junk can't do much harm, think again. According to a back-of-the-envelope rule the Apollo astronauts used, given the speeds involved in traveling in low-Earth orbit, a one-tenth-in. bit of chaff would collide with an oncoming spacecraft with as much force as a bowling ball traveling 60 m.p.h. So why is space travel survivable at all? Because all speed is relative. A satellite orbiting Earth may be moving at 17,500 m.p.h., but so is every other object in the same orbital corridor. Relative to one another, they're standing still. If one happened to speed up to 17,505 m.p.h., the most it could do is nudge another ship at 5 m.p.h. Attaining orbit is like entering an expressway: the tricky part is merging; once you're there, all you have to do is maintain your speed, and you'll be fine.<br> <br> The trouble comes when speed — or worse, the angle — of orbit changes. Things in higher orbits move more slowly than things in lower ones. A dead satellite or one that has lost gyroscopic control could go tumbling down to lower and lower orbits, colliding with objects moving at different speeds along the way. Similarly, the International Space Station and its three astronauts do, in theory, lie in the path of the debris created by Tuesday's collision, and while international space officials believe the danger to the crew is low, they do not rule it out.<br>&quot;At this time and in the near future, there's no threat,&quot; was all Alexander Vorobyev, the head of Russia's civilian space agency, was willing to concede.<br> <br>True killer collisions occur not when spacecraft traveling in the same band or orbital plane bump each other but when there's a full-blown crash between two ships in different planes — say, between one ship in an orbit that carries it over the U.S. and Central Asia, and another in an orbit that carries it over Western Europe and Eastern Asia. That's what happened on Tuesday.<br> <br>&quot;Think about two cars colliding in an intersection,&quot; says Nicholas Johnson, head of NASA's Orbital Debris Program. &quot;The individual speeds [of the satellites] were about 17,000 m.p.h., but the collision speed was 26,000.&quot;<br> <br>It's hard to bear thinking about what would have happened if there had been astronauts aboard either ship — but space officials can't afford not to think about it. There is currently no international treaty governing space debris, though the U.S., Russia, Japan, France and the European Space Agency have rules they follow to keep the junk to a minimum. Additionally, an international committee overseen by most of the world's space agencies consults on the issue. Still, it's a problem that isn't going away.<br> <br>&quot;It was only a matter of time before something like this happened,&quot; says Matney. Worse, it is almost certainly just a matter of time before it happens again.<br> <br>转载TIME<br> <!--v:3.2--> ]]></description>
<category><![CDATA[个人日志]]></category>
<author><![CDATA[851459409@qq.com(海蟹哲)]]></author>
<comments>http://851459409.qzone.qq.com/blog/1238839937#comment</comments>
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<pubDate>Sat, 04 Apr 2009 10:12:17 GMT</pubDate>
<guid>http://851459409.qzone.qq.com/blog/1238839937</guid>
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<title><![CDATA[要放假了]]></title>
<link>http://851459409.qzone.qq.com/blog/1238553154</link>
<description><![CDATA[时间可过的真快呀 <br>转眼间 都到四月份了 也要放假了 能回家了 说不想家是假的 <br>上个月底 我的英语辩论赛 说的不好 有些丢人了 现在还是要多说 只有不断的练习 才能想说什么很轻松的就说出来 <br>这次比赛让我长了很多的经验 有机会我还是会参加的 <br>加油吧 小哲 <br>有的时候真的对自己没有什么信心   但是还是要真实的面对生活的 <br>再接下来的一个月里 有加油呀 <br>呵呵 时间可是不等人的呀 <br>要在收获得季节了能有果实呀 这样才会没有白努力呀 <br> <!--v:3.2--> ]]></description>
<category><![CDATA[个人日志]]></category>
<author><![CDATA[851459409@qq.com(海蟹哲)]]></author>
<comments>http://851459409.qzone.qq.com/blog/1238553154#comment</comments>
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<pubDate>Wed, 01 Apr 2009 02:32:34 GMT</pubDate>
<guid>http://851459409.qzone.qq.com/blog/1238553154</guid>
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<title><![CDATA[i am striving now]]></title>
<link>http://851459409.qzone.qq.com/blog/1237799655</link>
<description><![CDATA[多快呀 上学都一个月了 要问我着学期学了什么 还真是不好回答 就工艺 有用 <br>还学了线性代数 <br>    还有机械设备   还有英语 现在 <img src="http://imgcache.qq.com/qzone/em/e182.gif"><wbr /> <br>  <span style="font-size:24px;line-height:1.8em;"><span style="color:#6600ff;line-height:1.8em;"><span style="font-family:'Verdana';line-height:1.8em;">nerver give up...keep striving...</span><wbr /></span><wbr /></span><wbr /> <!--v:3.2--> ]]></description>
<category><![CDATA[个人日记]]></category>
<author><![CDATA[851459409@qq.com(海蟹哲)]]></author>
<comments>http://851459409.qzone.qq.com/blog/1237799655#comment</comments>
<qz:effect>134218256</qz:effect>
<pubDate>Mon, 23 Mar 2009 09:14:15 GMT</pubDate>
<guid>http://851459409.qzone.qq.com/blog/1237799655</guid>
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<title><![CDATA[2009 年后的第一次沈阳之旅]]></title>
<link>http://851459409.qzone.qq.com/blog/1233979297</link>
<description><![CDATA[昨天我坐火车4301来的沈阳  是那是相当的多了 人山人海  不过就是海城上的人多 <br>到了鞍山就全是座了  到辽阳又是了   <br>还好在车上看到同学了 还没有感到无聊 <br>很快就到沈阳了 <br>我们就各奔东西了<br> <!--v:3.2--> ]]></description>
<category><![CDATA[个人日志]]></category>
<author><![CDATA[851459409@qq.com(海蟹哲)]]></author>
<comments>http://851459409.qzone.qq.com/blog/1233979297#comment</comments>
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<pubDate>Sat, 07 Feb 2009 04:01:37 GMT</pubDate>
<guid>http://851459409.qzone.qq.com/blog/1233979297</guid>
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